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Resultaat 641 - 660 (van 1208)
Barbara Titus Recognizing music as an art form
Friedrich Th. Vischer and German music criticism, 1848-1887
The impact of Hegelian philosophy on 19th-century music criticism. Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth...
Non-fictie
Engels | 270 pagina's (PDF, 3,1 MB) | Leuven University Press, Leuven | 2017
E-book
Steven Vande Moortele Two-dimensional sonata form
form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...
Non-fictie
Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017
E-book
Ewald Demeyere Johann Sebastian Bach's art of fugue
performance practice based on German eighteenth-century theory
Analyse en achtergrondinformatie bij 'Kunst der Fuge' van J.S. Bach (BWV 1080), ten behoeve van de uitvoeringspraktijk, gebaseerd op Duitse theorieën uit de 18de eeuw.
Non-fictie
Engels | 254 pagina's (PDF, 4,1 MB) | Leuven University Press, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
Non-fictie
Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book
(Dis)embodying myths in Ancien Régime opera
multidisciplinary perspectives
The role of mythology in Ancien Régime opera. Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's La favola d'Orfeo (1607) and Christoph Gluck's Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth's chameleonic life in the Italian dramma per musica and French tragédie en...
Non-fictie
Engels | 184 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
Non-fictie
Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book
"Recevez ce mien petit labeur"
studies in Renaissance music in honour of Ignace Bossuyt
After a distinguished career of more than 35 years, Ignace Bossuyt retired as professor at the Musicology Department of the University of Leuven on October 1st 2007. As an internationally recognised leader in the field of later-16th-century music, Bossuyt consolidated the department's reputation as a centre of excellence in renaissance music studies. Articles in this volume deal with music from the period on which the dedicatee focussed his own research. Subjects discussed include newly discovered...
Non-fictie
Engels | 312 pagina's (PDF, 6,4 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Artistic experimentation in music
an anthology
Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus...
Non-fictie
Engels | 416 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2017
E-book
What Is a cadence?
theoretical and analytical perspectives on cadences in the classical repertoire
The variety and complexity of cadence. The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical,...
Non-fictie
Engels | 320 pagina's (PDF, 9,6 MB) | Leuven University Press, Leuven | 2017
E-book
Thomas Christensen Partimento and continuo playing in theory and in practice
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...
Non-fictie
Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Thomas Christensen Towards tonality
aspects of baroque music theory
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie
Non-fictie
Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Ohne Worte
vocality and instrumentality in 19th-century music
The musical thought and practice of canonical composers. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought...
Non-fictie
Engels | 230 pagina's (PDF, 10 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Kadoc Loci sacri
understanding sacred places
Sacred places have long exercised a special fascination. Sacred places are not static entities but reveal a historical dynamic. They are the result of cultural developments and have varied multidimensional levels of significance. They are places where time is, as it were, suspended, and they are points where holy times and holy places meet. Sacred places are places apart. It is this specificity in the context of the Christian religions of the West that Loci Sacri wishes to unveil by bringing together...
Non-fictie
Engels | 284 pagina's (PDF, 7,8 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Steven F. Joseph Belgian photographic literature of the 19th century
a bibliography and census; bibliography et recensement
First comprehensive and richly illustrated overview of historical Belgian photographic literature. The development of photography from its roots in 19th-century science gradually transformed book illustration and the dissemination of images. This fully bilingual reference work presents a first comprehensive survey of Belgian photographic literature of the 19th century, both of illustrated books and of technical publications. It makes a major contribution to academic study in the field, with a corpus...
Engels | Frans | 440 pagina's (PDF, 6,2 MB) | Leuven University Press, Leuven | 2017
E-book
Marit Eisses | Madelief Hohé Haagse chic
Steltman; 100 jaar sieraden en zilver
Geschiedenis van juwelier Steltman in Den Haag.
Non-fictie
Nederlands | 143 pagina's | Gemeentemuseum Den Haag, Den Haag | 2017
Gedrukt boek
Glynis O'Hara | Tessa Courtenay David Bowie
de meester die zichzelf steeds opnieuw uitvond
Biografie van de zanger en acteur David Bowie.
Non-fictie
Nederlands | 123 pagina's | Rebo Productions, Noordwijkerhout | 2018
Gedrukt boek
Willem te Slaa | Tonko Grever | Quirine van Aerts Ferdinand Bol
het huis, de collectie, de kunstenaar
Beschrijving van het maatschappelijke succes van beroepskunstschilder Ferdinand Bol (1616-1689) en zijn netwerken binnen de elite in Amsterdam.
Non-fictie
Nederlands | 63 pagina's | WBOOKS, Zwolle | 2017
Gedrukt boek
Richard Havers The Rolling Stones on air in the sixties
achter de schermen bij een band in opkomst
Non-fictie
Nederlands | 320 pagina's | Kosmos, Utrecht | 2017
Gedrukt boek
Ignace Bossuyt De dood in cantates van J.S. Bach
van Actus tragicus tot Trauer-Ode
Aan de hand van een aantal werken van J.S. Bach wordt de thematiek van de dood belicht.
Non-fictie
Nederlands | 144 pagina's (PDF, 4,6 MB) | Lipsius Leuven, Leuven | 2017
E-book
Ignace Bossuyt J.S. Bach
de h-Moll-Messe
De fascinerende geschiedenis van Bachs muzikaal testament. Enkele maanden vóór zijn overlijden in 1750 voltooide Johan Sebastian Bach zijn muzikaal testament: de h-Moll-Messe. Hij creëerde hiermee een bewonderenswaardige synthese van de hele geschiedenis van de mis, het genre dat ook toen nog gold als dé toetssteen voor compositorisch vernuft en scherpzinnige tekstinterpretatie. Middeleeuwen, renaissance en barok versmelten in Bachs ultieme meesterwerk tot wellicht de meest universele compositie...
Non-fictie
Nederlands | 204 pagina's (PDF, 5,4 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Kunst & Cultuur